Tag Archives: top eight

American Idol Snark Post #13 ( Back To CORRECT Numbering): Wake Up, Judges

I think I have something to say to you…

No, I don’t. I’m done with you.

Actually, I may have wanted Stefano to go, and thought maybe Piagate would send him there, but I prepared myself all day for the possibility of a Paul elimination. Good thing I did, as the raspy voiced quirkmeister headed away, along with his musical taste and Nudie suits. I’m sad, but I’m not in any way going to rant and rave. I knew Paul’s chances of winning were zero. But it was fun to have him there, and I will miss him. If he releases a record, let me know, I’d buy it.

I called the bottom three this week, correct for the first time all season. Haley was saved, and her duet with Casey was fan-freakin’-tastic. In fact, of all the music tonight, including KELLY CLARKSON! and Jason Aldean’s sleepy duet, were topped by the jazzy stylings of my two favourite growlers.

Overall, after two weeks of really amazing elimination shows, this weeks was just- blah. There was no controversy, no surprise guest stars (just Chaka- Chaka- Chaka Khan in the audience. Chaka Khan). THe performances, save for the jazz!, were mediocre. Scotty was even off-key during his duet with Wittle Wauren, shockingly. The Ford music video was lame… Rihanna’s song was lame… Kelly was awesome singing a lame song…

Lame.

I have nothing more to add. So I’ll see you next week. Or on Twitter.


American Idol Snark Post #11: Metal Health Will Drive You Mad

After the debacle that was last week, I was hoping that at least when I sat down and watched tonight’s Idol performances, the praise for praise sake would stop. I’m not denying the judges claim that the Idols this year are pretty strong across the board. But the desire to be liked is making me hate the judges in a way I have never hated them before. That being said, Pia did herself no favours by picking safe song choices and being so clinically perfect as to be mistaken by me to be a fembot. Owen Gleiberman at Entertainment Weekly delivered the best write up over the Pia controversy I have read all week, and Michael Slezak and Alexis Grace fell into the “It’s the tween’s fault” trap that annoys me about the whole debate. Everyone knows I love Slezak, but he is wrong wrong WRONG. And Alexis, I love you, but you sounded bitter. It’s not a good look, hon. Yes, you’re elimination at 11th place was a major travesty, but after the judges refused to save you, there was nothing I could do.

After that, this week had to be so fantastic, the world could end on a high note.

So…

Movie week proved to be interesting.

Haley, who has been going up my Idol fave chart the last couple of weeks by being bluesy and quirky, delivered a train wreck version of “Call Me”. It was horrifically off-key, and my heart sank.  I do appreciate the judges at least trying to be honest, in a roundabout way. None of them liked  the song choice. I didn’t either. Debbie Harry is a heavily stylized singer, and Haley doesn’t have the right voice to pull it off. The audience booed them. But it was the obvious bad performance of the night- it was clearly pitchy and messy in a bad way.  It was a safe performance for them to be critical of.

Paul’s strained and wonky paced “Ol’ Time Rock and Roll” broke my heart. It was just so not good. But the judges said nothing. Lauren sounded great for most of ” The Climb”, but in one run, she landed so flat on one note I swear to God I had to check to see if the world was indeed still spinning. The judges said not one word. Stefano’s performance of “End of the Road” was better than Ambien. Randy proclaimed that Stefano was in it to win it. Really, Mr. Obvious?

It was enough to almost make me throw my Idol note pad into the trash bin and go start watching The Situation do something.

But the good tonight was so incredibly good.

I don;’t agree with every vocal choice Casey made in “Nature Boy”, but man, I love the dude when he does jazz. Jazz, along with country music, is the truest of the American art forms, and it gets no love. I would love to see a jazzier artist win Idol, if my own jazz collection would back me up. I don’t think it will happen, but at least it’s something new on this stage.

The same thing can be said for James’s version of “Heavy Metal”, which has my vote for performance of the night. First off, he has ZAKK Motherfuckin’ WYLDE! playing guitar. Second- its metal on Idol. Genuine metal. He did it once with Judas Priest, but again? With Jimmy Iovine and Will.IJustLiveHereNow.Am telling him to not do that song? I admire James all the more for it.

Scotty sang that George Strait song well enough, but the clip of him singing the classic “Everybody’s Talkin’” makes me mourn for what I might have seen. I ould have declared Scotty this weeks winner if he did that Harry Nilsson classic. He played it safe. And I feel cheated, despite the performance he gave. “Everybody’s Talkin’” is a cool song. Scotty needs to do something cool.

Jacob, though, was wisely talked out of singing “The Impossible Dream”, a song only allowed to be sung by Richard Kiley, who is dead.  Jimmy gave Jacob the tow best pieces of advice this season- don’t tell the audience who votes for you they’re idiots, and you can’t be corny this week. “Bridge over Troubled Water” was indeed made for Jacob’s voice and stylistic choices. It’s a song that can handle the Over the top nature of Jacob. I think it’s Jacob’s best performance this season, and it was certainly more restrained than I thought it would be from him.

Overall, it was a half and half show, but the judges have apparently learned nothing much.

My bottom three are Paul, Haley, and Stefano. I’m ready to sacrifice Paul this week, as that was the wonkiest of wonky. But Haley was the worst of the week.  But I’m also afraid for Stefano, who might get a backlash from Piagate.

Sorry, Stefano, I think you might be a goner.


American Idol Snark Post #8: I Really Hate This Show Sometimes

I hate it because it has ceased to surprise me as often as it once did. Since the revolution of season seven that saw artistry take over from the ability to sing a high F ( bonus points if you have both), I have noticed a different kind of typical song choice. ” Hallelujah”. Quirky pop classics “transformed” into  “rock” songs. “Hallelujah”. Lame country songs sung in a bid to be seen as rootsy and all-American. Mother-frickin’ “Hallelujah”.

Seriously, I know Jeff Buckley’s arrangement of the Leonard Cohen classic is brilliant ( not as brilliant as John Cale’s, but I digress). STOP SINGING IT!

The show got off to a bad start with Kara and Simon acting like idiots again.  I do not want to talk about Simon’s reported engagement or anything else when we have a tightly packed show.

Lee DeWyze starts us off with “Fireflies” by Owl City. I have a real problem with this song, namely that dude’s nasally, whiny voice. Lee has a gruffer, grittier tone,  but stripped it all away to sing a pleasant, if not all that thrilling song.

Alex Lambert deigned to take on a song by a personal favorite singer of mine, Ray LaMontaigne. “Trouble” seems to be the go to bluesy rock folk alt country song for shows like these, and Alex’s nasal voice ( seriously, I wanted to tell him to fix his adenoids) was well suited for the song. he’s also beginning to conquer his nerves a bit, even if the judges are right in commenting on his current stiff performing style. It’s better than the fetal position on the floor sobbing, right?

Tim Urban was the idiot who decided to tackle “Hallelujah”, a song on the verge of losing its awesome status because everyone now thinks it’s genius. His vocal was bland, forgettable, and frankly, I don’t care if he didn’t fall off the tracks this week, it was robotic. I don’t know what the judges were on this week, that was bad.

Andrew Garcia takes desperate to a new level with a stripped down version of ” Genie In A Bottle” , that dreadful Christina Aguilera song that I never wanted to hear ever again. It wasn’t so awful wanted to hurt someone, but it wasn’t good. If only the judges didn’t keep harping on that Hollywood week Paula Abdul cover all the time to remind us Andrew has become stagnant.

Pretty boy Casey sand Keith Urban’s “You’ll Think Of Me”. I actually really like this song, I like Keith Urban. And Casey did a credible vocal on that song. He still needs to work on his technique ( he still seems to be struggling with supporting his notes).  But on a night like this, I’ll take middling and competent.

Aaron has to go with ” I’m A;ready There”, one of those treacly country ballads sung about living life on the road. It was terrible. I didn’t hear a single on key note, his phrasing was off, and this terrible song was too big for him. The over praise form the judges makes me believe that they think Katie Stevens may be going home, so they need a new cute teen to pimp.

The bane of my Idol season nine, Todrick ” I’m the best thing since Michael Jackson-WHOO!” Hall, did the impossible. He made me hate a Queen song.

That shreiky, screamy, shouty vocal that started of way too high and then bizarrely strayed to his mid tone, where he proceeded to run rough shod over the intricate vocal melody Freddie Mercury created- that was a crime against music. And the so-called music experts on the panel LIKED it.

For that and that alone, I have fired all four judges.

Fortunately, Michael Lynche saved my night with a simply gorgeous take of Maxwell’s “This Woman’s Work”. I only wrote down in my notes the following:

“Nearly perfect”.

That, ladies and gentlemen, is what I am talking about. Take a song and SING IT.

I really think that poor Aaron and Andrew are in trouble, because Tim is gorgeous and therefore no one will send him home till next week, and Todrick, being my new mortal Idol enemy, will never leave ( Gokey, after all, made top three).

Till tonight, then, I have to just keep saying over and over ” My top four are Crystal, Siobhan, Lilly, and Mike”.

Repeat along with me, dear reader. You know I’m right.


American Idol Snark Post #7: There is Crystal Bowersonx and… Ummm… Who Else Is There?

It’s top eight girls night. If the show only didn’t scare the crap out of me with Ellen sitting on Simon’s lap and nuzzling him off the top of the show. Creepy doesn’t begin to describe it.

Why did Katie Stevens think singing Kelly Clarkson was a smart move? ( Again- Palais’ number one rule about Idol song selection: DO NOT sing songs by former Idol winners. You will lose the battle.) She also delivered the worst vocal I have heard in years.  There wasn’t a good note in that entire song. And apparently it the best song written in modern times of today ( Thanks,  Randy). By the end of some pretty wimpy ass judging ( Simon was overly nice and understanding), she looked like she was on the verge of tears. Gee, sweetie, did the mean ol’ judges tell you it wasn’t the greatest thing ever?  God, an entire generation of kids destroyed because no one ever told them the truth.

That was a parental rant. I’m done now.

Siobhan goes with the totally awesome song ” House Of The Rising Sun”, the dark, bluesy Animals classic that is easily one of my top ten all time songs. The girl launches it with an a capella verse, which leads me to believe she’s got a pretty good ear, as it was solid, and it just got more awesome as it went along. I’m growing to love the awkward, goofy glass blower with pretty spectacular music taste. The judges were appropriately effusive this time, except for Simon, who clearly wants cookie cutter pop singers who shriek at every opportunity despite the fact they are going out of style at the moment.

Lacey Brown gives of another horrible vocal on a song I have never actually heard of ( a rare thing, I know). Lacey obviously cannot control here nerves, which sends whatever nice quality her voice does have off into screamosphere. It was wildly off-key and off tempo. It’s Lacey’s last week. That’s it.

The judges are obviously listening to a different TV show. I have no idea who they are talking about.

Katelyn singing some Carole King kinda makes me sleepy. Odd, since I love both Katelyn’s dirge like version of “The Scientist” last week and Carole King. It just didn’t thrill me. That makes me a little cranky. The judges call her on the lame performance, but I think she’s still safe. Katelyn and her bouncy blonde curls that I envy… sorry, tangent.

Didi pulls out her guitar and some Fleetwood Mac. “Rhiannon” is oddly enough well suited to her style. She didn’t push for the ridiculous note Stevie could pull off back in ’77, but she gave a sweet rendition of one of the loveliest songs of all time.  It was a vast improvement over last week’s train wreck.

Paige brings us the suddenly ubiquitous “Smile”. Has this song suddenly become cool because of its appearance on Glee? It was terrible. Terrible. Just not good. I feel sorry for her.

My girl Crystal is up with Tracy Chapman’s ” Give Me One Reason” and  reinforces my love in both Tracy Chapman and in her.  Up on stage with her guitar and some soul, she delivers a freakin’ awesome performance and I love her.

Lilly Scott, the Veela,  tackles the legendary ” I Fall To Pieces” and for the first time, I’m worried about her.  Her lower register was poorly supported, making her wobbly and off-key, and the jazzier tone of her voice didn’t suit the country song.  I think she’ll make it to the top twelve next week without issue, but it’s the first real non-great moment Lilly has had. The judges are on crack.

Tomorrow I’ll be back for the boys, where I will reserve this weeks judgment on the judges ( early call- massive fail, guys. All four of you are failing this week). Until then, just keep chanting ” Bow-er-SOX!”.